This process happens rather frequently for not just dancers, but for performers in general. We work and work and work towards a particular project, and in the end get a very disproportionate amount of time to share it with the world compared with the amount of rehearsal and effort that was put in, both inside and outside of the studio. Yet that’s why we do what we do, for that magic moment when the house lights are dim, and the audience is hushed, watching the curtain rise. That short moment of silence before the music begins holds nothing but potential and expectation, both from the audience: What are we about to see?, and from the dancers: I wonder how this is all going to go…. And with any luck, the end result is something that all involved can be content with. We live in this fashion, from magic moment to magic moment; leaving one ballet behind and moving onto the next.
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Isabella
July 21, 2011
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November 14, 2004
La Scala - Nov 2004 Reopens.
Major renovation, 2002 to 2004
The exterior of La Scala photographed in 2005The theater underwent a major renovation from early 2002 to late 2004. The theatre was closed following the traditional 7 December 2001 season opening performances of Otello, which ran through December.[4] From 19 January 2002 to November 2004, the opera company was transferred to the new Teatro degli Arcimboldi, built in the Pirelli-Bicocca industrial area 4.5 miles from the city centre.
via en.wikipedia.org
